On this occasion, they focused purely on the Twelfth Doctor’s ‘attack eyebrows,’ drawing more attention to the actor’s striking eyes. The same was true for Peter Capaldi’s Doctor Who title sequence two years later, and this time the production team decided against showing the Doctor’s full face. From 1967 until 1989, the face of the incumbent Time Lord was always present in the intro, starting with Patrick Troughton in the Season Four story ‘The Macra Terror’ all the way through to Sylvester McCoy in ‘Survival.’ Soon, though, the designers did manage to incorporate the Doctor’s face into the intro, and one could argue that this is one of the most important ingredients of the ‘perfect’ Doctor Who title sequence. Originally, the designers had experimented with merging the First Doctor’s face with the swirling patterns, but the final effect was deemed too frightening, particularly when it was accompanied with the Radiophonic Workshop’s ethereal theme music. This was the effect that was adopted in 1963 – a montage of pulsing shapes which was meant to represent the TARDIS in flight. Some savvy technicians at the BBC realised that they could create some interesting swirling patterns if they pointed a television camera at its own monitor – an effect known as a howlaround, which can resemble clouds, swirling vortexes and even flames. The original Doctor Who title sequence was borne out of experimentation.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |